The heart of this Passion performance, though, is the role of the Evangelist, Matthew, sung, enacted, internalized and transformed by the remarkable British tenor Mark Padmore, in a performance of a lifetime. MARK SWED, LOS ANGELES TIMES 8 September 2014 Mark Padmore was the Evangelist…he declaimed the great recitative with superlative clarity and profound […]
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(Boyhood’s End) Mark Padmore and pianist James Baillieu revealed it as a stroke of genius. They gave it a reverent stillness….a sensitive response to a text…. IVAN HEWITT, THE TELEGRAPH 6 December 2013